If Antonín Dvořák could come to the St Agnes Convent to attend a performance of his Seventh String Quartet, he would probably be surprised to see that the same ensemble that played it as its world premiere is here today. The first public performance was given by a quartet led by Antonín Bennewitz, a professor at the Prague Conservatoire, who would later become its director. Appearing at the Dvořák Prague Festival is a leading Czech string quartet that takes its name from him, lovingly fostering the legacy of a musician who was a cofounder of the Bohemian Quartet, placing him at the roots of today’s Czech chamber music tradition. Besides the String Quartet No. 7, in which Dvořák solidified his style, the Bennewitz Quartet will also perform the String Quintet No. 2, which dates from the same period and amounted to another milestone on the composer’s path to fame. Between works by Dvořák, Ervín Schulhoff, another composer being celebrated during this Year of Czech Music with an anniversary ending with the numeral “4”, will get to have his say. His music is every bit as inventive as Dvořák’s and is marked by the flamboyance of the inter-war period and by the composer’s personality. The First String Quartet is a work from a happy period when the world was recuperating from the First World War and the Spanish flu, when Europe had no idea that the Great Depression was looming, and when Europeans were first discovering jazz. It is in the third movement (alla Slovacca) that Schulhoff explicitly lays claim to the vitality of his country’s folk heritage.

The Bennewitz Quartet is one of the leading international chamber ensembles, a status confirmed not only by their victories in two prestigious competitions—Osaka in 2005 and Prémio Paolo Borciani in Italy in 2008—but also by critical acclaim. As early as 2006, the German Frankfurter Allgemeine Zeitung wrote: “… the music was remarkable not just for its clarity of structure, but for the beautiful tonal palette and purity of intonation in its execution. Only very rarely does one experience such skillfully crafted and powerful harmonies... Great art.” The ensemble has received various awards on the Czech music scene as well. In 2004, the quartet was awarded the Prize of the Czech Chamber Music Society, and in 2019, the four musicians won the Classic Prague Award for the Best Chamber Music Performance of the Year.

The quartet regularly performs at major venues both in the Czech Republic and abroad, including Wigmore Hall in London, Musikverein in Vienna, Konzerthaus in Berlin, Théâtre des Champs-Élysées in Paris, The Frick Collection in New York, Seoul Arts Center, and the Rudolfinum in Prague. They are frequent guests at renowned festivals such as the Salzburger Festspiele, Lucerne Festival, Rheingau Musik Festival, Kammermusikfest Lockenhaus, and the Prague Spring. The group has had the privilege of working with outstanding artists such as Jean-Yves Thibaudet, Alexander Melnikov, Vadim Gluzman, Isabel Charisius, Pietro de Maria, Reto Bieri, Danjulo Ishizaka, and others.

The Bennewitz Quartet takes particular pleasure in performing on the Czech music scene. A highlight of their career was their collaboration with the Czech Philharmonic and conductor Jiří Bělohlávek in a performance of Bohuslav Martinů’s Concerto for String Quartet and Orchestra. The group also recorded both quartets by Leoš Janáček for Czech Television in the unique setting of Villa Tugendhat in Brno. Czech Radio regularly records the quartet’s major concerts.

The members of the quartet place great emphasis on an inspiring and sometimes challenging choice of repertoire. In 2012 and 2015, they performed all six of Bartók’s string quartets in a single evening at Maggio Musicale Fiorentino and in Uppsala, Sweden. In 2014, they premiered The Songs of Immigrants by Slavomír Hořínka at Konzerthaus Berlin. In 2019, they added a new album to their discography featuring the works of persecuted Jewish composers—Hans Krása, Viktor Ullmann, Erwin Schulhoff, and Pavel Haas—released under the Supraphon label.

In the 2024/25 season, the Bennewitz Quartet will return to several European venues, including Wigmore Hall in London, Laeiszhalle in Hamburg, and Konzerthaus Berlin, performing the string quintets of Dvořák and Brahms with Veronika Hagen. They will also tour the United States, making their debut in Providence, Houston, and Tucson, while returning to the Music and Beyond Festival in Ottawa and The Harvard Musical Association in Boston. Meanwhile, various concert projects will continue in the Czech Republic. The final concerts of their complete cycle of Dvořák’s string quartets will take place in September as part of the Dvořák Prague Festival. Later that month, a new CD featuring string quartets by composers who “used to play together”—Haydn, Mozart, Vaňhal, and Dittersdorf—will be released under the Supraphon label.

Since 1998, the quartet has borne the name of violinist and director of the Prague Conservatory, Antonín Bennewitz (1833–1926), who played a crucial role in establishing the Czech violin school. Among his most significant students were Otakar Ševčík and František Ondříček, as well as Karel Hoffmann, Josef Suk, and Oskar Nedbal, who—under Bennewitz’s influence—formed the famous Bohemian Quartet.

source: Bennewitz Quartet

Winner of six international music competitions, Wies de Boevé is widely regarded as one of the foremost contemporary double bass players. In 2015, he became the first double bass player to win the German Music Competition in its 40-year history. The following year, he won an award at the 65th ARD International Music Competition, and in 2017, he won first prize at the renowned Bottesini Competition.

As principal double bass of the Bavarian Radio Symphony Orchestra, he has had the opportunity to collaborate with some of today’s foremost conductors. He has also performed with other prestigious orchestras such as the Berlin Philharmonic, the Vienna Philharmonic, the Royal Concertgebouw Orchestra and the London Symphony Orchestra.

Wies de Boevé takes pleasure in presenting lesser-known solo double bass repertoire to his audiences. Whether in double bass concerts accompanied by an orchestra or in solo piano recitals, his performances never fail to captivate. His first CD featuring original compositions from the 19th and 20th centuries was released by GENUIN in 2016. In January 2020, Warner Classics released his second CD titled Via Bottesini, which contains concertos by Italian double bass virtuoso Giovanni Bottesini. He collaborated with musicians such as Isabelle Faust, Lorenzo Coppola, and Reinhold Friedrich to record Stravinsky’s “A Soldier’s Tale” for the Harmonia Mundi record label. As a chamber musician, he is often invited to prestigious festivals and has shared the stage with notable artists including Janine Jansen, Bruno Giuranna, Christoph Coin, Christian Poltéra and Pascal Moraguès.

Wies de Boevé holds teaching positions at both the Zürcher Hochschule der Künste in Switzerland and as a professor at the Escuela Superior de Música Reina Sofía in Madrid. He teaches at the Orchestral Academy of the Bavarian Radio Symphony Orchestra and conducts masterclasses all over the world, including an annual masterclass at the Tibor Varga Academy in Sion. Since 2013, he has also served as a double bass instructor for the European Union Youth Orchestra

The Convent of St. Agnes in the 'Na Františku' neighbourhood of Prague's Old Town is considered the first Gothic structure not only in Prague but in all of Bohemia. It was founded by King Wenceslas I in 1233–34 at the instigation of his sister, the Přemyslid princess Agnes of Bohemia, for the Order of Saint Clare which Agnes introduced into Bohemia and of which she was the first abbess. The convent was preceded by a hospital. The 'Poor Clares' originated as an offshoot of the Order of St. Francis of Assisi, and the convent was at one time known as the Prague Assisi. Agnes was an outstanding figure in religious life of the thirteenth century. Besides this Clarist convent she also founded the only Czech religious order – the Hospital Order of the Knights of the Cross with the Red Star. She was canonized in 1989.