This year’s performance of Dvořák’s oratorio, Saint Ludmila, at St Vitus’s Cathedral will be an indispensable part of the commemoration of the 1,100th anniversary of Ludmila’s death on 15 September 921, when she was murdered at Tetín Castle. Ludmila and her grandson, Saint Wenceslas, are two of the most important Czech saints. Saint Ludmila was the wife of Bořivoj, Duke of Bohemia, and she played a key role in the conversion of the Přemyslid dynasty to Christianity. In the monumental oratorio, Dvořák and his librettist Jaroslav Vrchlický depict the destruction of pagan idols, the marriage of Ludmila to the first historically documented Přemyslid ruler, and the sacrament of baptism performed on them in Velehrad by Bishop Methodius. The Czech Philharmonic will join forces with the Prague Philharmonic Choir at St Vitus’s Cathedral, bringing together the top ensembles in the world of Czech music as a contribution to the dignified veneration of St Ludmila, for whom Mass will also be celebrated that afternoon, by Cardinal Dominik Duka at St George’s Basilica. The concert is a part of a week-long celebration, which culminates at Tetín. And one could scarcely imagine these celebrations without a performance of the most important work for vocal forces and orchestra devoted to this subject matter.

“The Czech Philharmonic now played one of Dvořák’s finest symphonies with true passion, with a wide dynamic range and such dramatic effect that one might imagine that the composer himself sensed it. Semyon Bychkov deserves admiration for what he has uncovered in the score. With the precision and warmth that has always been this ensemble’s forte, he followed exquisitely on the interpretation of Dvořák's music presented by Václav Talich, one of the Czech Philharmonic's former chief conductors.”

aktualne.cz, 28 September, 2023

On 4 January, 1896, the 129-year-old Czech Philharmonic gave its first concert in the famed Rudolfinum Hall in the heart of Prague. Conducted by Antonín Dvořák, the programme featured the world premiere of his Biblical Songs Nos. 1 –5. Renowned for its definitive interpretations of the Czech repertoire, the orchestra also has a special relationship to the music of Brahms and Tchaikovsky – both friends of Dvořák – and to Mahler, who conducted the world premiere of his Symphony No. 7 with the Czech Philharmonic in 1908.

As festivals, orchestras and presenters across the Czech Republic and Europe mark 2024 as the Year of Czech Music with performances of rarely played Czech repertoire together with popular favourites, Semyon Bychkov and the Czech Philharmonic open the 129th season with two performances of Dvořák’s Piano Concerto paired with Berlioz’s Symphonie fantastique. The soloist, Daniil Trifinov, is one of three soloists who will join the orchestra in New York in December 2024 as part of Czech Week at Carnegie Hall. The orchestra will bring three programmes to New York which, in addition to the Piano Concerto, will feature Dvořák’s Cello Concerto with Yo-Yo Ma, and the Violin Concerto with Gil Shaham. The concertos will be paired with Mahler’s Symphony No. 5, three poem s from Smetana’s Má vlast and Janáček’s Glagolitic Mass for which they will be joined by the Prague Philharmonic Choir.

During 2024’s Year of Czech Music, Jakub Hrůša, the Czech Philharmonic’s principal guest conductor, will lead the orchestra in less familiar works by Pavel Zemek Novák, Vladimír Sommer, Josef Suk, and Luboš Fišer. Hrůša will also join the Czech Philharmonic in a tour of summer festivals including the Elbphilharmonie Summer, Lucerne Festival, Rheingau Musik Festival, and the BBC Proms. Sir Simon Rattle, recently named principal guest conductor of the Czech Philharmonic, will conduct Dvořák’s Slavonic Dances and Janáček’s Glagolitic Mass as well as performances of Kurt Weill’s opera The Seven Deadly Sins. Returning to the orchestra during the 2024/2025 season are Tomáš Netopil, Giovanni Antonini, Ingo Metzmacher, Alain Altinoglu, and James Gaffigan, while Nathalie Stutz mann, Alan Gilbert, and Lukáš Vasilek will be making their debuts with the orchestra.

Over recent seasons, the focus of Semyon Bychkov’s work with the orchestra has turned to Mahler and a new complete symphonic cycle for Pentatone. The first two discs in the cycle, Mahler’s Symphony No. 4 and No. 5, were released in 2022, followed in 2023 by Symphonies No. 2 “Resurrection” and No. 1. Semyon Bychkov will follow up on his recent performance of Mahler’s Third Symphony with the Fifth and Eighth in our 2024/2025 season. Fifty years after the death of Dmitri Shostakovich, Bychkov will feature Shost akovich’s Cello Concerto and Symphony No. 5 on tour to Vienna, Amsterdam, London, Paris, and Bruges. Other major works conducted by Bychkov this season include Brahms’s Symphony No. 2, Schubert’s Symphony No. 2, Bach’s Mass in B minor, and Beethoven’s Symphony No. 2. Mahler, who gave the world premiere of his Symphony No. 7 with the Czech Philharmonic in 1908, was not the first composer of renown to conduct the Czech Philharmonic. Edward Grieg conducted the orchestra in 1906; Stravinsky performed his Capriccio for Piano and Orchestra under Václav Talich in 1930; Leonard Bernstein conducted the European premiere of Aaron Copland’s Symphony No. 3 at the Prague Spring Festival in 1947; Arthur Honegger conducted a concert of his own music in 1949; Darius Milhaud gave the premiere of his Music for Prague at the Prague Spring Festival in 1966; and, in 1996, Krzysztof Penderecki conducted the premiere of his Concerto for Clarinet and Chamber Orchestra.

Their names are joined by the many luminaries who have collaborated with the orchestra over the years: Martha Argerich, Claudio Arrau, Evgeny Kissin, Erich Kleiber, Leonid Kogan, Erich Leinsdorf, Lovro von Matačić, Ivan Moravec, Yevgeny Mravinsky, David Oistrakh, Antonio Pedrotti, Sviatoslav Richter, Mstislav Rostropovich, Gennady Rozhdestvensky, Wolfgang Sawallisch, Wolfgang Schneiderhan, George Szell, Henryk Szeryng, Bruno Walter, and Alexander Zemlinsky. The Czech Philharmonic’s extraordinary and proud history reflects both its location in the very heart of Europe and Czech Republic’s turbulent political history, for which Smetana’s Má vlast (My Country) is a potent symbol. The orchestra gave its first full rendition of Má vlast in 1901; in 1925 under chief conductor Václav Talich, Má vlast was the orchestra’s first live broadcast and, five years later, it was the first work that the orchestra committed to disc. During the Nazi occupation, when Goebbels demanded that the orchestra perform in Berlin and Dre sden, Talich programmed Má vlast as an act of defiance, while in 1945 Rafael Kubelík conducted the work as a concert of thanks for the newly liberated Czechoslovakia. In 1990, Má vlast was Kubelík’s choice to mark Czechoslovakia’s first free elections, a historic event which was recognised 30 years later when Bychkov chose the occasion of the first Velvet Revolution concert to perform the complete cycle at the Rudofinum. The orchestra marked the 200th anniversary of Smetana’s birth with the release of Má vlast conducted by Bychkov.

An early champion of Martinů’s music, the Czech Philharmonic premiered his Czech Rhapsody in 1919 and its detailed inventory of Czech music undertaken by Václav Talich included the world premieres of Martinů’s Half-Time (1924), Janáček’s Sinfonietta (1926) and the Prague premiere of Janáček’s Taras Bulba (1924). Rafael Kubelík was also an advocate of Martinů’s music and premiered his Field Mass (1946) and Symphony No. 5 (1947), while Karel Ančerl conducted the premiere of Martinů’s Symphony No. 6 Fantaisies symphoniques (1956). Martinů’s Rhapsody Concerto performed by Antoine Tamestit will be included in 2024’s Velvet Revolution Concert. Throughout the Czech Philharmonic’s history, two features have remained at its core: its championing of Czech composers and its belief in the power of music to change lives. Defined from its inauguration as an organisation for the enhancement of musical art in Prague, and a pension organisation for the members of the National Theatre Orchestra in Prague, its widows and orphans, the proceeds from the four concerts that it performed each year helped to support members of the orchestra who could no longer play and the immediate family of deceased musicians. As early as the 1920’s, Václav Talich (chief conductor 1919 – 1941) pioneered concerts for workers, young people and other voluntary organisations including the Red Cross, the Czechoslovak Sokol and the Union of Slavic Women, and in 1923 gave three benefit concerts for Russian, Austrian, and German players including members of the Vienna and Berlin Philharmonic Orchestras. The philosophy is equally vibrant today. Alongside the Czech Philharmonic Youth Orchestra, Orchestral Academy, and Jiří Bělohlávek Prize for young musicians, a comprehensive education strategy engages with more than 400 schools. An inspirational music and song programme led by singer Ida Kelarová for the extensive Romany communities within the Czech Republic and Slovakia has helped many socially excluded families find a voice. As part of the Carnegie Hall residency in December 2024, four members of the Czech Philharmonic’s Orchestral Academy will travel to New York where they will join forces with four young musicians from the Carnegie Hall and four students from the Royal Academy of Music. The initiative is supported by the Semyon Bychkov Educational Enhancement Fund.

“The two orchestral works were truly the highlights of both concerts. The Czech Philharmonic lives this music with an infectious intensity. From the very first bar of the overture, it is palpable to what extent there is an inner tension, a special involvement and complicity. Everything adds to it. To begin with, the sound: full, round, with a timbre and a very special personality, a colour that is a seal of identity. It is one of the few orchestras whose sound has a different character.”

Scherzo, 15 October, 2023

source: Czech Philharmonic

Petr Altrichter made his debut with the Czech Philharmonic in 1979, and has subsequently conducted the Orchestra on numerous occasions in Prague, on tour in China, Germany, in Japan and Taiwan.

He was raised in a musical family, and he played musical instruments from a young age. Having graduated from the conservatory in Ostrava as a French horn player and conductor, he continued his studies at the Janáček Academy of the Performing Arts in Brno in the fields of orchestral conducting under the guidance of Otakar Trhlík and František Jílek and choral conducting with the teachers Josef Veselka and Lubomír Mátl. After his studies in Brno, he worked as a choirmaster and conductor with the Brno Academic Choir, and he played a part in the earning of many prizes at foreign choral competitions and festivals (Middlesbrough, Debrecen…).

Altrichter attracted international attention in 1976, when he earned the title of laureate and a special prize from the jury at the renowned conducting competition in Besançon, France. On the basis of that prize, he became Václav Neumann’s assistant conductor with the Czech Philharmonic, and he started his own artistic career. Not long after that, he began to receive invitations to conduct orchestras abroad.

After a period of activity with the Brno Philharmonic, in 1988 he became a conductor of the Prague Symphony Orchestra, and in 1990 he became its principal conductor. With that orchestra, he made frequent foreign tours to Japan, the USA, Switzerland, Germany, France, and other countries. At the same time, he was engaged in long-term collaboration with the Czech Chamber Philharmonic Orchestra in Pardubice, with which he often gave performances abroad introducing many gifted young soloists (such as Isabelle van Keulen and Radek Baborák) who are now firmly established on concert stages around the world.

From 1993, he was the music director of the Southwest German Philharmonic Orchestra of Constance, with which he gave concerts regularly at the Tonhalle in Zurich and at the KKL in Lucerne, and he also toured Switzerland and Italy.

Petr Altrichter made his debut in the United Kingdom with the Prague Symphony Orchestra at the Edinburgh Festival in 1993, and his London debut with the English Chamber Orchestra followed soon thereafter. In 1997 he was appointed as the principal conductor of the Royal Liverpool Philharmonic after having guest conducted the orchestra with great success during the previous season. He also made an appearance with that orchestra in 2000 at the BBC Proms at London’s Royal Albert Hall, and he made a number of highly acclaimed recordings for the orchestra’s own label – RLPO Live.

In 2001 Altrichter was invited to take the helm of the Brno Philharmonic, and he remained there for seven years, returning to the orchestra with which he had been associated since his student days, and he still continues to guest conduct there regularly.

In 2015 he toured Germany with the Czech Philharmonic, and in late 2015 and early 2016, he toured China with the same orchestra. In the spring of 2017 he toured Japan with the Prague Symphony Orchestra, and his 2018 calendar included a tour of the United Kingdom with the Czech National Symphony Orchestra.

He has guest conducted major orchestras abroad, including Japan’s NHK Symphony Orchestra, Berlin Symphony Orchestra, Bruckner Orchestra in Linz, Warsaw Philharmonic, Krakow Philharmonic, Southwest German Radio Symphony Orchestra in Baden-Baden, Latvian National Symphony Orchestra in Riga, Gran Canaria Philharmonic Orchestra, Luxembourg Philharmonic Orchestra, Netherlands Philharmonic, Stavanger Symphony Orchestra, Norrköping Symphony Orchestra, Royal Danish Orchestra in Copenhagen, and Odense Symphony Orchestra. In the United Kingdom he has collaborated with the BBC Symphony Orchestra, the Royal Scottish National Orchestra, the BBC Scottish Symphony Orchestra, and the London Philharmonic Orchestra.

He has made guest appearances at major festivals in Salzburg, Edinburgh, Avignon, Athens, Cheltenham, Paris, Madrid, Chicago, Zurich, Lucerne, Vienne, Seville, Palermo, and elsewhere.

The bulk of Petr Altrichter’s repertoire consists of Czech music – Bedřich Smetana, Antonín Dvořák, Leoš Janáček, and Bohuslav Martinů, Russian music – especially Dmitri Shostakovich, and the works of Gustav Mahler and Anton Bruckner. Important soloists and performers from around the world (Garrick Ohlsson, John Lill, Tabea Zimmermann…) value his flexibility in leading orchestral accompaniments, and they seek out collaboration with him.

Source: Petr Altrichter

The Slovak soprano Eva Hornyáková studied operatic singing at the Košice Conservatory and the Academy of Performing Arts in Bratislava. In 2006 she made her debut at the Slovak National Theatre as Mimi in Puccini’s opera La bohème. In the years that followed, she sang a substantial number of major roles of the opera repertoire on the same stage, including Micaela (Carmen), Pamina (Magic Flute), Donna Elvira (Don Giovanni), Desdemona (Otello), and Marguerite (Faust). Since 2014 she has been performing at the National Theatre in Prague – among other things appearing again in the role of Desdemona, this time alongside star tenor José Cura. She also performs the concert repertoire, appearing in this country and also in Germany, Austria, the Netherlands, and Japan, where her performances include the soprano parts in Dvořák’s Requiem and Stabat Mater, Bruckner’s Te Deum, Janáček’s The Eternal Gospel, and Verdi’s Requiem. At La Scala in 2010 she participated in the finals of Plácido Domingo’s international opera competition, Operalia.

Mezzo-soprano Jana Hrochová is a graduate of the Prague Conservatory. Since 2000 she has been a soloist at the National Theatre in Brno, where her roles have included Carmen, Laura (La Gioconda), Káča (The Devil and Kate), Rosina (The Barber of Seville), Suzuki (Madama Butterfly), Gold-Spur the Fox (The Cunning Little Vixen), Varvara (Káťa Kabanová), and many others. She has also appeared as a guest on numerous Czech stages, including Prague’s National Theatre, as well as in Freiburg, Germany. Her performances have repeatedly earned her the DIVA Prize, awarded by audience members. Her substantial concert activity has included collaborations with top conductors (Jiří Bělohlávek, Serge Baudo, Manfred Honeck, Jakub Hrůša) and orchestras (BBC Symphony Orchestra, Tokyo Metropolitan Symphony Orchestra, Czech Philharmonic). In 2011 she sang the alto solo in Antonín Dvořák’s Requiem at Václav Havel’s state funeral, and from 2011 to 2018 she recorded five CDs of songs by Bohuslav Martinů for the Naxos label. Hrochová made her Proms debut in 2016, accompanied by the BBC Symphony Orchestra at London’s Royal Albert Hall.

Tenor Richard Samek was born in Třebíč and graduated from the Janáček Academy of Performing Arts. In 2006, he made his debut on the stage of the National Theatre in Brno. At present he is a regular guest at the National Theatre in Prague, where his roles include Alfredo (La traviata), Werther (Werther), Tamino (The Magic Flute), and the Prince (Rusalka). He makes guest appearances on a number of stages abroad, including the Grand Théâtre de Reims, the Opéra de Limoges, the Opéra de Rennes, the Theater Magdeburg, and the Semperoper in Dresden. In 2015 he took part in a live recording of Smetana’s opera Dalibor with the BBC Symphony Orchestra under the baton of Jiří Bělohlávek. He has worked with such outstanding orchestras as the Czech Philharmonic, the Orchestra dell’Accademia Nazionale di Santa Cecilia, and the Tokyo Metropolitan Symphony Orchestra. He appears regularly at international music festivals, including the Prague Spring Festival, the Dvořák Prague Festival, the Seefestspiele Mörbisch, and Smetana’s Litomyšl.

The Prague Philharmonic Choir was founded in 1935 by choirmaster and teacher Jan Kühn. Entering its 90th season, it is the oldest Czech professional choir. However, the choir has garnered international acclaim as a prominent ensemble as well. Recently, it has received particular recognition for its interpretation of its oratorio and cantata repertoire. Since 2007, the choir has been led by principal choirmaster and artistic director Lukáš Vasilek. Lukáš Kozubík serves as the second choirmaster.

Under the direction of Lukáš Vasilek, the choir has established itself as a highly respected partner of major orchestras. On the domestic scene, it has long collaborated primarily with the Czech Philharmonic and, in choral concerts, with the PKF – Prague Philharmonia. Internationally, its musical partners include the Berlin and Essen Philharmonics, the Vienna Symphony, the North German Radio Symphony Orchestra Hamburg, and the Israel Philharmonic Orchestra.

The Prague Philharmonic Choir has gained valuable experience from its work with distinguished conductors, which recently has included Semyon Bychkov, Jakub Hrůša, Sir Simon Rattle, Daniel Harding, Zubin Mehta, and Christoph Eschenbach. It also regularly participates in renowned music festivals such as Smetana’s Litomyšl, Prague Spring, Dvořák Prague and Prague Sounds. In recent years, the choir has played an active role on the international stage, serving as the resident choir for the Bregenzer Festspiele opera festival.

This season, the choir will be presenting three exclusive choral concerts. They were curated with a main focus on demanding and lesser-known choral pieces, such as a cappella or with instrumental accompaniment. Traditionally, it performs at concerts organised by Prague-based orchestras, but has been known to also visit other venues such as Ostrava. Internationally, the choir has performed in cities such as Dresden, Baden-Baden, Hamburg, and Bregenz.

In addition to its regular concert activities, the Prague Philharmonic Choir is engaged in educational projects. For young audiences, it has prepared a series of educational concerts specifically tailored for both schools and families with children. Their programme places strong emphasis on ensuring an enjoyable and actively engaging experience for children. Organised for voice students, the Prague Philharmonic Choir Academy offers a unique platform for young singers to engage in professional ensemble performances, participate in major musical projects, and gain experience working with leading artists.

The choir’s vocal qualities are evidenced, among other things, by its rich archive of recordings, which continues to grow with each season. The discography includes albums released by various record labels such as Pentatone, Decca Classics, Sony Classical, and Supraphon. The Prague Philharmonic Choir has also garnered recognition for its recording activities, receiving awards from the British Gramophone magazine and BBC Music Magazine, as well as the prestigious Diapason d’Or de l’Annèe award. The first gramophone recording, conducted by Václav Talich in 1952, featured Dvořák’s oratorio Stabat Mater; the most recent CDs, released in 2023, includes Mahler’s Symphony No.2 with the Czech Philharmonic and Semyon Bychkov and the choir’s own album entitled Stravinsky, Janáček, Bartók: Village Stories.

The Prague Philharmonic Choir received the 2018 Classic Prague Award for Best Vocal Concert, the Czech Television Classics of the Year Award, and in 2022 the Antonín Dvořák Award for outstanding artistic merit, promotion, and popularisation of Czech music.

source: Prague Philharmonic Choir

Lukáš Vasilek is entering his 16th season as the principal choirmaster and artistic director of the Prague Philharmonic Choir. He applies his intricate talent for choral music in interpreting both a cappella repertoire and large cantata and oratorio works with instrumentation. In conducting the choir, he collaborates with renowned orchestras and conductors, both Czech and international.

With the Prague Philharmonic Choir, he has earned recognition especially for his excellent interpretations of extensive works by Mahler, Dvořák, and Janáček. The highlights of the choral concerts include Benjamin Britten’s War Requiem and Francis Poulenc’s Stabat Mater. His daring approach to concert dramaturgy is evident in the incorporation of unconventional choices, such as jazz spirituals in the programme.

He studied conducting at the Academy of Performing Arts in Prague and musicology at Charles University. He mainly returns to his original field of orchestral conducting in concerts of various choral series, where he has been working closely with the PKF – Prague Philharmonia for the past three years. He has conducted members of both the Czech Philharmonic and the Kiev Symphony Orchestra.

Lukáš Vasilek gained his first experience with choral singing as a member of the Boni pueri boys’ choir. His subsequent artistic journey led him to serve as the choirmaster of the Foerster Chamber Choir and later the National Theatre Choir. In 2022, he was a guest conductor of the French choir Accentus. In addition to the Prague Philharmonic Choir, he works with the vocal ensemble Martinů Voices, which he founded in 2010. With this ensemble, he primarily interprets chamber choral music spanning from the 19th to the 21st centuries. He is also a teacher at the Academy of Performing Arts, where he teaches choral conducting.

As a conductor and choirmaster, he has made a lasting impact through numerous recordings produced for major record labels such as Decca Classics and Supraphon. In recent years, his recordings of Bohuslav Martinů’s choral works have garnered international acclaim, earning awards from prestigious magazines such as Gramophone, BBC Music Magazine, and Diapason. His most recent CD with the Prague Philharmonic Choir was recorded in 2023. The album entitled Stravinsky, Janáček, Bartók: Village Stories encapsulates the rediscovered magic of folk songs and rituals in the compositions of these three 20th century masters.

source: Prague Philharmonic Choir

St. Vitus Cathedral is the largest and the most important temple in Prague. Apart from religious services the coronations of Czech kings and queens also took place in here. The cathedral is a place of interment of remains of provincial patron saints, sovereigns, noblemen and archbishops.The Bohemian Coronation Jewels are kept in Crown Chamber of st. Wenceslas Chapel.