The Chamber Series at this year’s Dvořák Prague Festival will conclude with a special combination that could form the basis of a festival “all-star team”. Joining with the Czech Philharmonic Chamber Orchestra as soloists are the violinist Josef Špaček, the cellist Tomáš Jamník, and naturally the Chamber Series curator, the pianist Lukáš Vondráček. Josef Špaček will also provide the artistic direction for this musical society. All of the players will join together to play the Grand rondeau for Piano Trio and Orchestra by Jan Václav Hugo Voříšek – a Czech composer whose music reflects the milieu of the Viennese Classical Era and above all the influence of Beethoven, who was a generation older. Surrounding Voříšek’s Grand rondeau are two serenades for string orchestra. – the first by Josef Suk and the last by Antonín Dvořák. With their rich melodies and lyrically radiant atmosphere, they will flank Voříšek's concertante drama.

The Czech Philharmonic Chamber Orchestra launched its artistic activities after two years of preparations in 2018. The ensemble was founded at the impetus of the former chief conductor of the Czech Philharmonic Jiří Bělohlávek, who viewed the creating of such a project as a necessity for the regular “hygiene” of orchestral players. The ensemble is not staffed with permanent members. The players rotate in various chamber groups consisting exclusively of members of the Czech Philharmonic based on the needs for the repertoire being performed, which ranges from music of the Baroque era to the works of contemporary composers. At its first performance, a special Christmas Concert in December 2018 with Baroque repertoire, the ensemble collaborated with a renowned early music specialists, the conductor Reinhard Goebel. Among the soloists with whom the ensemble has appeared so far are soprano Simona Šaturová, tenor Jaroslav Březina, harpsichordist Barbara Maria Willi, and vioilnists Jan Mráček and Jiří Vodička. The artistic supervisor of the project is the Czech Philharmonic concertmaster Josef Špaček.

Praised for his remarkable range of colours, his confident and concentrated stage presence, his virtuosity, and technical poise as well as the beauty of his tone, Josef Špaček has gradually emerged as one of the leading violinists of his generation.

He has appeared with orchestras including the Orchestre de Paris, the Rundfunk-Sinfonieorchester Berlin, the Bamberger Symphoniker, the Academy of St. Martin in the Fields, the Deutsches Symphonie-Orchester Berlin, the WDR Sinfonieorchester, the Konzerthausorchester Berlin, the Czech Philharmonic Orchestra, the Tonhalle-Orchester Zürich, the Tokyo Metropolitan Symphony Orchestra, the Deutsche Radio Philharmonie, SWR-Symphonieorchester, and the Stavanger Symphony Orchestra.

Highlights in the 2023/24 season include debuts with the Chicago Symphony Orchestra and Jakub Hrůša, the Atlanta Symphony Orchestra and Nathalie Stutzmann, the Dutch Radio Philharmonic Orchestra with Tomáš Netopil, as well as a residency with the Residentie Orchestra The Hague with Anja Bihlmaier, and with Jun Märkl in his return to the prestigious Verbier Festival.

With cellist Timotheos Gavriilidis-Petrin and pianist George Xiaoyuan Fu, he completes the Trio Zimbalist.

In September 2023, Supraphon released Josef Špaček’s latest CD recording presenting orchestral and chamber works by Bohuslav Martinů: Concerto for violin, piano and orchestra, followed by Sonata No. 3 and Five short pieces.

Another remarkable CD recorded with cellist Tomáš Jamník features works for violin and cello by Janáček, Martinů, Schulhoff, and Klein, including a transcription of Janáček’s string quartet no. 1 for violin/cello duo. His previous Supraphon release is a highly praised recording of the violin concertos by Dvořák and Janáček, coupled with the Fantasy of Suk, with the Czech Philharmonic Orchestra conducted by Jiří Bělohlávek. The Sunday Times wrote: “The violinist’s individual, deeply considered and virtuosic account of Dvorak’s solo part is the highlight of this keenly conceived programme”, adding that “…in this repertoire, Špaček is second to none today.” It was the “Recording of the Week” of The Sunday Times, “Recording of the Month & of the Year” of MusicWeb International and it received 5* from Diapason. Other recordings to date include a recital disc with works for violin and piano by Smetana, Janáček, and Prokofiev with pianist Miroslav Sekera (Supraphon).

Josef Špaček studied with Itzhak Perlman at The Juilliard School in New York, Ida Kavafian and Jaime Laredo at the Curtis Institute of Music in Philadelphia, and with Jaroslav Foltýn at the Prague Conservatory. He was laureate of the International Queen Elisabeth Competition in Brussels and won top prizes at the Michael Hill International Violin Competition in New Zealand, the Carl Nielsen International Violin Competition in Denmark, and the Young Concert Artists International Auditions in New York. He served as concertmaster of the Czech Philharmonic Orchestra for nine concert seasons until 2019 and the orchestra named him “Associate Artist” in January 2016.

Josef Špaček performs on the ca. 1732 “LeBrun; Bouthillard” Guarneri del Gesù violin, generously on loan from lIngles & Hayday.

source: MAKROPULOS

A versatile performer of both traditional and contemporary classical music, Tomáš Jamník studied cello in Prague, Leipzig, and at the Universität der Künste in Berlin. After graduating, he received a Karajan Academy scholarship at the Berlin Philharmonic. In 2023, he completed a six-month residency in the United States through the Fulbright-Masaryk Fellowship, giving lectures and performances in New York and across several American states. Since autumn 2024, he has been teaching cello at the Janáček Academy of Performing Arts in Brno.

A winner in numerous international competitions, Tomáš Jamník has appeared as a soloist with orchestras such as the Deutsches Symphonie-Orchester Berlin, Czech Philharmonic, Jerusalem Symphony Orchestra, Córdoba Symphony Orchestra, and Philharmonia Orchestra London. He partners with Jan Fišer and Ivo Kahánek forming the Dvořák Trio. As a chamber musician, he has performed at prestigious venues including Rudolfinum in Prague, Wigmore Hall and Barbican Hall in London, Elbphilharmonie in Hamburg, NOSPR in Katowice, Mozarteum in Salzburg, and Kitara Hall and Tokyo Metropolitan Hall in Japan.

Beyond the traditional repertoire, Tomáš Jamník is dedicated to reviving lesser-known works and has premiered numerous compositions by Czech contemporary composers. He is also the originator of the Vážný zájem (literally Serious Interest) initiative, which has facilitated hundreds of intimate home concerts. Additionally, he serves as the Artistic Director of the Chamber Academy Central Bohemia and is the founder and Artistic Director of Ševčík Academy in Horažďovice.

source: Agentura Makropulos

The indisputable winner of the Grand Prix at the 2016 International Queen Elisabeth Piano Competition, Lukáš Vondráček’s 2023/24 season highlights include a tour with Bamberg Symphony Orchestra and Jakub Hrůša in Boston, as well as returns to long term partners such as the Czech Philharmonic Orchestra, the West Australian Symphony Orchestra and the Janacek Philharmonic.

Following recent appearances at the Flanders Festival, the “Le Piano Symphonique” Festival, and the Weiwuying International Festival in Taiwan, recital engagements have taken him to the ”Chopin and his Europe” Festival in Warsaw and the Piano Loop Festival in Split.

Over the last decade, Lukáš Vondráček has travelled the world working with various orchestras such as the Philadelphia and Sydney Symphony orchestras, the Tokyo Metropolitan Symphony Orchestra, the Dresden Philharmonic Orchestra, the Frankfurt Radio Symphony Orchestra, the Philharmonia Orchestra, the Oslo Philharmonic and the Netherlands Philharmonic orchestras under conductors such as Paavo Järvi, Gianandrea Noseda, Jakub Hrůša, Yannick Nézet-Séguin, Marin Alsop, Christoph Eschenbach, Pietari Inkinen, Vasily Petrenko, Anu Tali, and Stéphane Denève, among many others.

Recitals have led him to Hamburg’s Elbphilharmonie, the Flagey in Brussels, Leipzig’s Gewandhaus, Wiener Konzerthaus, the Concertgebouw in Amsterdam, and to renowned festivals such as Menuhin Festival Gstaad, PianoEspoo in Finland, Prague Spring Festival, and Lille Piano Festival.

At the age of four, Lukáš Vondráček made his first public appearance. As a fifteen-year-old in 2002, he made his debut with the Czech Philharmonic Orchestra and Vladimir Ashkenazy, which was followed by a major US tour in 2003. His natural and assured musicality and remarkable technique have long marked him out as a gifted and mature musician. He has achieved worldwide recognition by receiving many international awards, foremost first prizes at the Hilton Head and San Marino International Piano Competitions and Unisa International Piano Competition in Pretoria, South Africa, as well as the Raymond E. Buck Jury Discretionary Award at the 2009 International Van Cliburn Piano Competition.

After finishing his studies at the Academy of Music in Katowice and the Vienna Conservatoire, Lukáš Vondráček obtained an Artist Diploma from Boston's New England Conservatory under the tutelage of Hung-Kuan Chen, graduating with honours in 2012.

source: Harrison Parott

The Rudolfinum is one of the most important Neo-Renaissance edifices in the Czech Republic. In its conception as a multi-purpose cultural centre it was quite unique in Europe at the time of its construction. Based on a joint design by two outstanding Czech architects, Josef Zítek and Josef Schultz, a magnificent building was erected serving for concerts, as a gallery, and as a museum. The grand opening on 7 February 1885 was attended by Crown Prince Rudolph of Austria, in whose honour the structure was named. In 1896 the very first concert of the Czech Philharmonic Orchestra took place in the Rudolfinum's main concert hall, under the baton of the composer Antonín Dvořák whose name was later bestowed on the hall.